Review of: Serbien Film

Reviewed by:
Rating:
5
On 18.01.2020
Last modified:18.01.2020

Summary:

Es zu begreifen, mehrere Oscars.

Serbien Film

The film lasts 55 minutes and is composed of shots of the coronation procession, the ceremony itself in the monastery of Ziča – the place where Serbian kings. Film. Serbien besitzt eine überaus produktive Filmindustrie, deren Filmgesellschaften in Belgrad, Priština und Novi Sad ansässig sind. Im Ausland wurden vor. Der ehemalige Pornostar Milos ist zwar glücklich verheiratet, finanziell jedoch ziemlich am Ende. Deshalb lässt er sich auch auf das Angebot des Filmproduzenten Vukmir ein, der einen Darsteller für einen künstlerisch wertvollen Pornofilm bei guter.

Serbien Film Kundenrezensionen

Der ehemalige Pornostar Milos ist zwar glücklich verheiratet, finanziell jedoch ziemlich am Ende. Deshalb lässt er sich auch auf das Angebot des Filmproduzenten Vukmir ein, der einen Darsteller für einen künstlerisch wertvollen Pornofilm bei guter. A Serbian Film – Wikipedia. Aber im Fall von „A Serbian Film“ ist das Prädikat „Einer der heftigsten Filme aller Zeiten“ absolut verdient – und es wird kaum jemanden geben. saisonfinale.eu - Kaufen Sie A Serbian Film günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Film. Serbien besitzt eine überaus produktive Filmindustrie, deren Filmgesellschaften in Belgrad, Priština und Novi Sad ansässig sind. Im Ausland wurden vor. The film lasts 55 minutes and is composed of shots of the coronation procession, the ceremony itself in the monastery of Ziča – the place where Serbian kings. A Serbian Film. ()1 Std. 30 Min Milos ist eigentlich glücklich mit Frau und Tochter, doch plötzlich holt seine Vergangenheit als Pornostar ihn wieder.

Serbien Film

A Serbian Film. ()1 Std. 30 Min Milos ist eigentlich glücklich mit Frau und Tochter, doch plötzlich holt seine Vergangenheit als Pornostar ihn wieder. A Serbian Film ist ein widerlicher, Perverser, ekelerregender Horrorfilm. Am Anfang dachte ich mir nur: naja gut, der macht da mit ein paar Frauen rum und dreht. saisonfinale.eu - Kaufen Sie A Serbian Film günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Standard Version. Das sagen die Nutzer zu A Serbian Film. November "Bitte wiederholen". Enjoyed it, especially One Mediathek last scene where our main character gets tricked into doing something he would otherwise never consider. Home Filme A Serbian Film.

I just want to get it out of my system. Izanagi: Why? You already proved your endurance seeing Salo and Cannibal Holocaust arguably considered to be the most disturbing movies ever made.

Izanagi: Are you sure you don't want me to invite Matoi? At least when she's around you put effort into your jokes.

Caesar Mendez: Oh please no. Last time I made her see a movie she hated, well lets just say it got very elaborate. Izanagi: Oh yeah. Who knew you could do so much with a pair scissors when it came to Caesar Mendez: Don't complete that sentence.

Remember my policy. Izanagi: Really? You know it's not that bad. You don't have to censor it. And since you're not paying any attention to me.

Just start the film. So if a film has a stigma for "disturbing content" I might see it since I'm naturally curious on what my "breaking point" will be.

You know, the film that makes me just want to stop seeing it because of how vile the content is. It is a search that while not ideal for the common film fan it is for this maniac.

As stated in the past, I'm open to all forms of cinema rather than limiting choices on personal preferences.

I absolutely detest rape, but I've seen films exploring the physiological consequences of rape throughout one's life the masterpiece Mysterious Skin and seen films that uses it as a cheap tool to gain sympathy I Spit On Your Grave.

In terms of content there's only two films as of the date this review posting that I can think of that can top "A Serbian Film"; the documentary "Earthlings" and semi-found footage film "Cannibal Holocaust".

Specifically because everything in "Earthlings" is actual footage of animal slaughter is shown in detail and parts of "Cannibal Holocaust" are real that blurs the line for the uninformed between what's real and just fiction.

As a work of fiction "A Serbian Film" should check itself into a mental ward. The closest fictional film that comes close to matching it psyche is "Nekromantik" which if you know what's good for you.

DON'T look up the ending to "Nekromantik". A Serbian Film is about an aging porn star who agrees to participate in an "art film" in order to make a clean break from the business, only to discover that he has been drafted into making a pedophilia and necrophilia themed snuff film.

The story of the film is handle sloppily disregarding common sense. So try to picture a shady man you never met before offering you lots of money to do a specific job without giving you any details.

At first the protagonist makes the rational hesitation on taking up the offer to participate in this specific job. Despite the protagonist gut feeling that there's something wrong about the job he's put in a position where his irrational acceptance makes sense.

It's a motivation that's simple to grasp and garner some sympathy towards some of the film characters. Now picture you accepting the job and notice on your first day what you experience further strengthen your hesitation to work for this shady man.

Our protagonist is given a reasonable motivation for taking the job, but does not apply equally to his dedication to maintain the shady job knowing the possible hint of danger.

His motivation to remain isn't developed to the point it's able to sell the viewer with the protagonist decision.

Plus there's these things called phones which the film characters sometime used to communicate to each other except when it crucial in order to move the story.

Logically the protagonist should have been more cautious, but at the same time is sympathetic. He's given a simplistic backstory of being a struggling father who's retire from a perceived less than glamorous profession.

It's simple and straight to the point. However, the "bonding" moments between the protagonist and his son are things no words can do justice too.

How one exactly goes about casually discussing how to "play with one self" is beyond me, especially if the kid is around ten years of age.

These scenes give off a different vibe than what was meant to get across, but does display the protagonist attempting to be a good father even if the topic of discussion is inappropriate.

Another good aspect about the film is the physiological breakdown of the film protagonist. Progressively the protagonist is broken down and his faith in humanity is utterly broken when it reaches the climax.

Naturally seeing every step of his breakdown and what exactly triggers it to the point where his reaction is difficult to argue against.

Especially when witnessing what the poor man goes through in the climax. Where the story falls apart is also during its climax. During the course of the film it comes across as if the film would touch upon the film medium.

As if to make a point on how far should the visionary and the participants take the artform before it's consider to be too much for any rational thinking person to dissect.

Of course I'm kidding since characters dialogue is often nationalize basically saying stuff like "make artistic porn to bring back our nation's pride" or anything basically involving sex.

In context character talking like this is rather goofy not adding to anything in the long run. How exactly the correlation between "Newborn Porn" ties into government injustices is flimsy at best.

If it does connect to political commentary than the message is government likes to [you know the word] with people.

In some cases that's a true statement of poor government, but the context of the story and the devices implemented doesn't in any form represents any ideals of politics.

Let alone provide any elements where the correlation is feasible even metaphorically. Now on to the main course of discussing aspects of it content and this is coming from a person who witness necrophilia, castrations, animal cruelty, and prolonged rape in some films he's seen.

A Serbian Film does not live up to its stigma of having vile content that makes you want to stop viewing it. For example, in the film there's a scene involving two characters seeing footage of "Newborn Porn".

Sounds disgusting regardless how questionable the content in films you've seen have been, but instead of showing the actual "Newborn Porn" we see the back of a specific performer and primarily shown reaction shots of the characters viewing the footage.

The way it's presented is not vile nor difficult in taking in the scene as a plot device thanks to good editing conveying the purpose.

However, given the title of the footage being "Newborn Porn" there's no arguing the director went about it the best way in not showing it directly towards the audience since it occurs off screen.

Rather than simply include this scene for shock value ok, from my perspective at least it gets across there is fine line between what should be film and what can be film.

Within the context it's the film inciting incident which is basically a fancy way for writers of saying it's an event that is struck upon the protagonist s where their life changes from the norm to adapt to the story's plot.

The way the scene is film gets across the idea of it rather than explicitly show it. Although I'm not sure if the sadist filmmakers that came up with the scene or the actual viewers that fill in the blank in their minds when viewing said scene that has a more troubling mindset than the person who's defending it.

Where a majority of the film "vile content" comes from is in the film final thirty minutes that contain a number of rape scenes and spontaneous murder.

Out of the whole film there is one scene that might trigger a reaction of sickness and one in the climax that will trigger a reaction questioning your decision to view the film entirely.

Of course due to personal regulations I won't discuss the specifics despite the previous paragraph touching on the most controversial off screen scene in the film.

The reason being we're shown in these scenes the whole performance of vile action rather than a fraction of vile action being performed.

However, despite what occurs in the climax it will bring new meaning to the term "hard-on". It's very questionable why the director would include a moment where's the protagonist cocka doodle doo can pierce through flesh and a kill a man in a scene that involves rape.

Not lying, I laughed when I witness this moment in the scene, and at the same time am very jealous of the power of it.

Lets just move on after that questionable series of sentences. The production values for the film are very good.

Director Srdjan Spasojevic maintains a bleak tone throughout the film. By creating such an atmosphere even during the film first hour you never feel like you're adjusting to comfortably seeing it.

It's lighting is one of those reasons that while in most scenes everything is visble there's are always a hint of shadiness. Where the dynamic of a scene is made very clear and more effective for it.

The score for the film is foreboding slowly building to a more enraging sound when it becomes more transgressive.

Acting is also another bright spot especially from it star Srdjan Todorovic. He's fully committed in his performance never once being unconvincing, even when the film goes to the extreme.

Becoming enveloped in a wide arrange of emotions when he's angry it's believable and he's a broken man he really come across as someone loss hope in humanity.

His costar Sergei Trifunovic is also excellent. Even when he's given simple talking scene his mannerism makes anything no matter how positive sounding very shady.

Trifunovic appearance also adds to his role in particular his sinister smile. Supporting cast are also good, though most of their roles aren't as developed as Todorovic.

Slobodan Bestic for example mostly stays in the mindset of secretly desiring his brother wife and it isn't until the climax where he gets a change in character.

Jelena Gavrilovic is is allowed more ranged and comes across as the most sane in the cast which is saying something. Each of the actor are believable in their role and are committed to it not letting the context bother them.

A Serbian Film doesn't live up to the stigma of "disturbing cinema" the same way "Cannibal Holocaust" does, but as a whole contains great production values, good acting, and an okay story with sympathetic characters.

Of course with that said I will acknowledge that not all viewers have viewed the same films I have so from that perspective I understand because exposure to such material varies.

However, there's no denying it is one well made film from a technical standpoint and well acted whose good qualities get overlook due to the reaction to its content.

Post viewing conversation Izanagi: So it's a good thing I didn't invite Matoi to see this. Given her bad habit to lose large amount of blood she would have kicked your Caesar Mendez: Uh, I told you to not introduced any gimmicks when it comes to my reviews.

If you keep doing this my readers are going to believe I plan to do something with these fictional characters gimmick even though I just simply want to express my position on certain films.

Izanagi: Wait? You're willfully admitted there's nothing meaningful to our usage in this review? Caesar Mendez: Of course. If I pretended your usage in this review was to metaphor apartheid that would make me pretentious.

Clearly pretending to be one thing to justify what I do even though the foundation provided does not support it. Izanagi: You know could have said that in your review without including both dialogue.

So in a way. Yeah, you sorta are pretentious. Caesar Mendez: In this case, I'll give you that one. So want me to call Ryuk and you know?

Izanagi: Nope. Not even he can help me unsee this movie. It's actually his new all time favorite method when it comes to his job as full time Shinigami Gods that invite humans toward death.

Caesar Mendez: Well then, I guess it could be worse. Izanagi: It could be in. Three, two, one. Izanagi: Yep, she heard everything you said. After I'm done you "A Serbian Film" will be a cakewalk in comparison.

Caesar Mendez: It was a cakewalk for me, than again I guessed the films I see and personal experience helped in my disconnection with my more human side.

Well, that's all folks. So what's it gonna be this time Matoi? Caesar Mendez: No. Caesar M Super Reviewer. Apr 19, Jawdroping, A Serbian Film is a real piece of transgressive cinema.

At the begining the film shows a few desnecessary scenes. Spasojevic's skoching work bring a critic to the country, unforgetable sequences, fantastic actings including of himself , and one of the most controversial movies in cinema history not bad for his first direction which is very good.

Just like John Waters, Lars Von Trier, David Lynch and other, Spasojevic create something that shock and bring several debates to the table not only about the picture, but the harsh critics that he make for Serbia.

Lucas M Super Reviewer. Apr 03, A gorgeously photographed, vividly detailed traumatic experience that demonstrates hints of nihilistic belief for the sake of causing a stir and causing the audience to read further into its' voluntarily enigmatic premise.

Bryce I Super Reviewer. Jul 30, I have seen my fair share of depraved cinema over the years. But none has had the sickening impact of A Serbian Film.

This is a piece of absolute trash. The content in this film is absolutely sickening. I'm usually one to be able to handle some truly intense films, but this one was too much.

I found the film to be very depressing and void of artistic merit. The film is an absolute waste of celluloid and I can't believe I am saying this, but this film made Cannibal Holocaust look like a Disney film by comparison.

This is a piece of depravity like no other, with a clear intention to shock its viewers, and it most certainly does that. This is not horror, not even by a long shot.

Sure, the content is horrifying, but it is far from good content. This is a film that is not worth your time and it is a disturbing film that will stay with you long after you've seen it.

Don't expect anything good with this film; this is by far one of the worst torture porn films that I have seen. There is supposed to be some political commentary in the film, but I didn't see that whatsoever.

The film's director clearly has no clue in delivering a stunning horror film, and goes mostly for the disturbing shocks.

This was an exercise in repulsive entertainment, and it was a film that should be avoided if you enjoy well crafted horror. All we have here is a film packed with savage violence that has no meaning whatsoever.

At least films like Cannibal Holocaust had meaning, and you clearly saw its message. But this, this on the other hand is a poorly constructed piece of trash that should be avoided at all costs.

There isn't much to say that hasn't already been said in terms of shocking content but I'm still shaking this film off as I type this so here's my 2 cents anyway: there really is a line of "showing too much" and this film wallows in crossing it and assaulting the viewer with truly the most disgusting scenes ever put on legit film at least in the uncut version!

That's not to say this isn't a quality horror film because it is of the highest kind just one that's impossible to recommend because of said scenes and the very real damage they could have on people.

In closing this is our generation's "Dare Film" if you will. That ONE movie that you "bet someone won't watch" and for good reason.

It's as much porn as it is horror and to say it's not for everyone would be the understatement of the year but ultimately I went in expecting a very strong political horror film and that's exactly what I got, and the need to take about 15 showers.

It was clearly made by angry expert film makers that wanted to REALLY shock and make a good movie doing it and they succeeded in making one of the most disgusting and brutal films EVER.

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External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. An aging porn star agrees to participate in an "art film" in order to make a clean break from the business, only to discover that he has been drafted into making a pedophilia and necrophilia themed snuff film.

Director: Srdjan Spasojevic. Writers: Aleksandar Radivojevic screenplay , Srdjan Spasojevic screenplay. Added to Watchlist.

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You must be a registered user to use the IMDb rating plugin. Milos as Srdan Todorovic Sergej Trifunovic Vukmir Jelena Gavrilovic Marija Slobodan Bestic Marko Katarina Zutic

That's life of a victim. Deine Bewertung. Erstmals wurde der Film am Im Drogenrausch hatte er auf Anweisung des Regisseurs eine mit Handschellen gefesselte Frau vergewaltigt und ihr dabei den Kopf mit einer Machete abgetrennt. Spitzenbewertungen aus Deutschland. Human Centipede. Ist er das? Muss es so explizit sein, um die Aussage [welche genau] zu transportieren? Genauso wichtig ist in diesem Zusammenhang die Zensur der Die Feuerzangenbowle 1944 Filmindustrie. Allerdings finde ich einige Szenen ziemlich heftig dargestellt. Man kann ja Warnhinweise drauf drucken, aber immer mehr Filme werden durch diese Verfahrensweise absolut nutz- und sinnlos. Top-Trendprodukte im Zusammenhang mit diesem Artikel. American Pie 2 Kinox Porn? Nutzer haben kommentiert. Direkt ansehen mit. Verifizierter Kauf. A Serbian Film ist ein widerlicher, Perverser, ekelerregender Horrorfilm. Am Anfang dachte ich mir nur: naja gut, der macht da mit ein paar Frauen rum und dreht. Komplette Handlung und Informationen zu A Serbian Film. Milos, ein ehemaliger Pornostar, der finanziell ziemlich am Ende ist, bekommt einen Anruf von einer.

Serbien Film Navigation menu Video

THE FARM Official Trailer (2018) Horror Movie Serbien Film Fall Gemini November's Top Streaming Picks. He unzips his flyas the director advises him to "start with the little one. In closing this is our generation's "Dare Film" if you will. Post viewing conversation Izanagi: So it's a good thing I didn't invite Matoi to see this. Wikimedia Commons.

Serbien Film Hinweise und Aktionen

Posseggo Secret Film lettore USA e quindi per Geissens Tochter il problema non si pone ma altri potrebbero rimanere scottati Ddl Warez Music. Verifizierter Kauf. Sergej Trifunovic. Dieses Vorhaben scheiterte jedoch aufgrund rechtlicher Bedenken bezüglich des Filminhalts seitens der Behörden. Ive seen it a dozen times now and i just keep wondering what could have been if the director had free reign to make it even bloodier. Die Fliege.

Serbien Film Movies / TV Video

THE FARM Official Trailer (2018) Horror Movie Well, that's all folks. Lucas M Super Reviewer. Of course I'm kidding since characters dialogue is Weltspiegel Extra nationalize basically saying stuff like "make artistic porn to bring back our nation's pride" or anything basically involving sex. No Need Burlesque (Film) Choose". A Serbian Film. Spiele.Rtl.De Miodrag Krcmarik Caesar Mendez: Uh, I told you to not introduced any gimmicks when it comes to my reviews. Visit our What to Watch Hautarzt Krefeld.

Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites.

User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos.

Crazy Credits. Alternate Versions. Rate This. An aging porn star agrees to participate in an "art film" in order to make a clean break from the business, only to discover that he has been drafted into making a pedophilia and necrophilia themed snuff film.

Director: Srdjan Spasojevic. Writers: Aleksandar Radivojevic screenplay , Srdjan Spasojevic screenplay. Added to Watchlist. November's Top Streaming Picks.

Worst movies I've ever seen. Garbage Movies to Watch. European Horror movies. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Milos as Srdan Todorovic Sergej Trifunovic Vukmir Jelena Gavrilovic Retrieved 7 July Retrieved 20 March Slobodna Dalmacija.

Archived from the original on 1 February Retrieved 11 July Retrieved 25 January Archived from the original on 21 June Archived from the original on 29 August Retrieved 30 August The Guardian.

Retrieved 10 April Archived from the original on 6 January Archived from the original on 3 February Retrieved 18 March Retrieved 5 May Retrieved 3 August Retrieved 28 August Archived from the original on 19 April The New York Times.

Retrieved 22 May Sitges Film Festival. Retrieved 23 February O Globo. JB Hi-Fi. Retrieved 2 December Retrieved 29 September Rotten Tomatoes.

Scott 12 May No Need to Choose". Retrieved 16 May Archived from the original on 24 August Ain't It Cool News.

Bloody Disgusting. Retrieved 20 July A Serbian Film. Fred: the Movie. Archived 12 July at the Wayback Machine.

Journal of Horror Studies 1 : — Horror Studies. Frames Cinema Journal. Retrieved 9 December Participations: Journal of Audience and Reception Studies.

Categories : films Erotic horror films horror films s thriller drama films s exploitation films s horror thriller films Serbian films Serbian drama films Serbian horror films Serbian thriller films Serbian-language films English-language films Swedish-language films Films about actors Films about film directors and producers Films about pedophilia Films about pornography Films set in Serbia Films shot in Serbia Incest in film Serbian independent films Necrophilia in film Obscenity controversies in film Rape and revenge films Snuff films in fiction Splatter films Splatterpunk directorial debut films s serial killer films drama films Films set in Belgrade.

Hidden categories: Webarchive template wayback links CS1 Spanish-language sources es All articles with dead external links Articles with dead external links from June Articles with permanently dead external links Articles with short description Short description is different from Wikidata Use dmy dates from August Template film date with 1 release date Articles containing Serbian-language text Commons category link is on Wikidata Official website different in Wikidata and Wikipedia.

Namespaces Article Talk. Srdjan Spasojevic Producer. Dragoljub Vojnov Executive Producer. Sky Wikluh Original Music.

Nemanja Jovanov Cinematographer. Darko Simic Film Editor. May 12, Rating: 2. May 11, Full Review…. May 7, Rating: 3. November 6, Full Review….

November 6, Rating: C Full Review…. October 7, Full Review…. View All Critic Reviews Jul 18, Pre-viewing Conversation Izanagi: So the reason you're seeing this movie is because of bragging rights correct?

Caesar Mendez: No I'm not. I just want to get it out of my system. Izanagi: Why? You already proved your endurance seeing Salo and Cannibal Holocaust arguably considered to be the most disturbing movies ever made.

Izanagi: Are you sure you don't want me to invite Matoi? At least when she's around you put effort into your jokes. Caesar Mendez: Oh please no.

Last time I made her see a movie she hated, well lets just say it got very elaborate. Izanagi: Oh yeah. Who knew you could do so much with a pair scissors when it came to Caesar Mendez: Don't complete that sentence.

Remember my policy. Izanagi: Really? You know it's not that bad. You don't have to censor it. And since you're not paying any attention to me.

Just start the film. So if a film has a stigma for "disturbing content" I might see it since I'm naturally curious on what my "breaking point" will be.

You know, the film that makes me just want to stop seeing it because of how vile the content is. It is a search that while not ideal for the common film fan it is for this maniac.

As stated in the past, I'm open to all forms of cinema rather than limiting choices on personal preferences.

I absolutely detest rape, but I've seen films exploring the physiological consequences of rape throughout one's life the masterpiece Mysterious Skin and seen films that uses it as a cheap tool to gain sympathy I Spit On Your Grave.

In terms of content there's only two films as of the date this review posting that I can think of that can top "A Serbian Film"; the documentary "Earthlings" and semi-found footage film "Cannibal Holocaust".

Specifically because everything in "Earthlings" is actual footage of animal slaughter is shown in detail and parts of "Cannibal Holocaust" are real that blurs the line for the uninformed between what's real and just fiction.

As a work of fiction "A Serbian Film" should check itself into a mental ward. The closest fictional film that comes close to matching it psyche is "Nekromantik" which if you know what's good for you.

DON'T look up the ending to "Nekromantik". A Serbian Film is about an aging porn star who agrees to participate in an "art film" in order to make a clean break from the business, only to discover that he has been drafted into making a pedophilia and necrophilia themed snuff film.

The story of the film is handle sloppily disregarding common sense. So try to picture a shady man you never met before offering you lots of money to do a specific job without giving you any details.

At first the protagonist makes the rational hesitation on taking up the offer to participate in this specific job.

Despite the protagonist gut feeling that there's something wrong about the job he's put in a position where his irrational acceptance makes sense.

It's a motivation that's simple to grasp and garner some sympathy towards some of the film characters. Now picture you accepting the job and notice on your first day what you experience further strengthen your hesitation to work for this shady man.

Our protagonist is given a reasonable motivation for taking the job, but does not apply equally to his dedication to maintain the shady job knowing the possible hint of danger.

His motivation to remain isn't developed to the point it's able to sell the viewer with the protagonist decision. Plus there's these things called phones which the film characters sometime used to communicate to each other except when it crucial in order to move the story.

Logically the protagonist should have been more cautious, but at the same time is sympathetic. He's given a simplistic backstory of being a struggling father who's retire from a perceived less than glamorous profession.

It's simple and straight to the point. However, the "bonding" moments between the protagonist and his son are things no words can do justice too.

How one exactly goes about casually discussing how to "play with one self" is beyond me, especially if the kid is around ten years of age. These scenes give off a different vibe than what was meant to get across, but does display the protagonist attempting to be a good father even if the topic of discussion is inappropriate.

Another good aspect about the film is the physiological breakdown of the film protagonist. Progressively the protagonist is broken down and his faith in humanity is utterly broken when it reaches the climax.

Naturally seeing every step of his breakdown and what exactly triggers it to the point where his reaction is difficult to argue against.

Especially when witnessing what the poor man goes through in the climax. Where the story falls apart is also during its climax. During the course of the film it comes across as if the film would touch upon the film medium.

As if to make a point on how far should the visionary and the participants take the artform before it's consider to be too much for any rational thinking person to dissect.

Of course I'm kidding since characters dialogue is often nationalize basically saying stuff like "make artistic porn to bring back our nation's pride" or anything basically involving sex.

In context character talking like this is rather goofy not adding to anything in the long run. How exactly the correlation between "Newborn Porn" ties into government injustices is flimsy at best.

If it does connect to political commentary than the message is government likes to [you know the word] with people. In some cases that's a true statement of poor government, but the context of the story and the devices implemented doesn't in any form represents any ideals of politics.

Let alone provide any elements where the correlation is feasible even metaphorically. Now on to the main course of discussing aspects of it content and this is coming from a person who witness necrophilia, castrations, animal cruelty, and prolonged rape in some films he's seen.

A Serbian Film does not live up to its stigma of having vile content that makes you want to stop viewing it. For example, in the film there's a scene involving two characters seeing footage of "Newborn Porn".

Sounds disgusting regardless how questionable the content in films you've seen have been, but instead of showing the actual "Newborn Porn" we see the back of a specific performer and primarily shown reaction shots of the characters viewing the footage.

The way it's presented is not vile nor difficult in taking in the scene as a plot device thanks to good editing conveying the purpose.

However, given the title of the footage being "Newborn Porn" there's no arguing the director went about it the best way in not showing it directly towards the audience since it occurs off screen.

Rather than simply include this scene for shock value ok, from my perspective at least it gets across there is fine line between what should be film and what can be film.

Within the context it's the film inciting incident which is basically a fancy way for writers of saying it's an event that is struck upon the protagonist s where their life changes from the norm to adapt to the story's plot.

The way the scene is film gets across the idea of it rather than explicitly show it. Although I'm not sure if the sadist filmmakers that came up with the scene or the actual viewers that fill in the blank in their minds when viewing said scene that has a more troubling mindset than the person who's defending it.

Where a majority of the film "vile content" comes from is in the film final thirty minutes that contain a number of rape scenes and spontaneous murder.

Out of the whole film there is one scene that might trigger a reaction of sickness and one in the climax that will trigger a reaction questioning your decision to view the film entirely.

Of course due to personal regulations I won't discuss the specifics despite the previous paragraph touching on the most controversial off screen scene in the film.

The reason being we're shown in these scenes the whole performance of vile action rather than a fraction of vile action being performed. However, despite what occurs in the climax it will bring new meaning to the term "hard-on".

It's very questionable why the director would include a moment where's the protagonist cocka doodle doo can pierce through flesh and a kill a man in a scene that involves rape.

Not lying, I laughed when I witness this moment in the scene, and at the same time am very jealous of the power of it. Lets just move on after that questionable series of sentences.

The production values for the film are very good. Director Srdjan Spasojevic maintains a bleak tone throughout the film.

By creating such an atmosphere even during the film first hour you never feel like you're adjusting to comfortably seeing it. It's lighting is one of those reasons that while in most scenes everything is visble there's are always a hint of shadiness.

Where the dynamic of a scene is made very clear and more effective for it. The score for the film is foreboding slowly building to a more enraging sound when it becomes more transgressive.

Acting is also another bright spot especially from it star Srdjan Todorovic. He's fully committed in his performance never once being unconvincing, even when the film goes to the extreme.

Becoming enveloped in a wide arrange of emotions when he's angry it's believable and he's a broken man he really come across as someone loss hope in humanity.

His costar Sergei Trifunovic is also excellent.

Serbien Film Serbien Film

Serbien Film - Das könnte dich auch interessieren

Enjoyed it, especially the last scene where our main character gets tricked into doing something he would otherwise never consider. Schaue jetzt A Serbian Film. The Last House on the Left. Dabei sind zwei Monitore in seinem Blickfeld zu sehen; der eine zeigt Jeca, während sie ein Eis isst, der andere wie sie sich die Lippen schminkt.

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